We want certain things from a romantic comedy; there are requirements. Number one being, naturally, that the couple in question gets together in the end. Given that the film’s resolution is preordained, the challenge is, as it has been since the days of Claudette Colbert and Clark Gable, remains how to keep the journey engaging. Some movies, like Annie Hall (1977), subvert the format. Others, such as When Harry Met Sally (1989), embrace it, counting on sharp writing and distinct performances to distract viewers from the creaky plot mechanics.
Oscar-nominated The Silver Linings Playbook seems like it wants to fall within the first category, but in reality, belongs squarely in the second.